Tuesday, November 30, 2010
By: Kate Morton
Rated 4 Stars
Audio Book from Library
This is another do-over for me. I am ordering audio books from the library that I was disappointed in the first time to ee if I like them better in audio. This is definitely one I like better in audio format.
The only complaint I have about it is that the POV changes were not always smooth for me and I often found myself disorientated. It would take a minute or to for me to figure where I was in the story of a particular pov. Aside from that it was a very good story.
A tiny girl is abandoned on a ship headed for Australia in 1913. She arrives completely alone with nothing but a small suitcase containing a few clothes and a single book - a beautiful volume of fairy tales. She is taken in by the dockmaster and his wife and raised as their own. On her twenty-first birthday they tell her the truth, and with her sense of self shattered and with very little to go on, "Nell" sets out on a journey to England to try to trace her story, to find her real identity. Her quest leads her to Blackhurst Manor on the Cornish coast and the secrets of the doomed Mountrachet family.
But it is not until her granddaughter, Cassandra, takes up the search after Nell's death that all the pieces of the puzzle are assembled. At Cliff Cottage, on the grounds of Blackhurst Manor, Cassandra discovers the forgotten garden of the book's title and is able to unlock the secrets of the beautiful book of fairy tales.
The 33rd installment in the saga of the Morland family begins in the year 1919. I am very sad that this sagas coming to a close. What a wonderful literary soap opera this has been. A pox on grasping publishers who never think enough money is enough. *sigh* One more book to go.
As the euphoria of the Armistice fades, the nation count the cost—millions dead or disabled, unemployment, strikes, and shortages—and attempt to build a new life. Teddy tries to recreate balance but then a trip to France to see the place where Ned fell has unforeseen consequences. Polly, grieving for Erich Kuppel, persuades her father to send her to New York, and despite Prohibition, the great city pulses with life and promises her a fresh start. Jessie and Bertie, detained in London by Bertie's job, long to start their new life together. Jack becomes a pioneer of civil aviation, but when the company fails he's faced with unemployment, with a growing family to support. As they all seek relief from their own memories, the Morland's witness a new world struggling to be born out of the ashes; and as long as the music lasts, they will keep on dancing.
By: Dorothy L. Sayers
Rated: 5 Stars
From: Download from Libravox
This is the only Dorothy Sayers book available at Libravox.org. It's Sayers introduction to Lord Peter Wimsey. It was a fun read/listen. I love Lord Peter.
The stark naked body was lying in the tub.Not unusual for a proper bath, but highly irregular for murder -- especially witha pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath.
Rated 5 Stars
I really couldn't add a thing to the amazon description I have copied and pasted below. This is my favorite adaption of Henry V.
Very few films come close to the brilliance Kenneth Branagh achieved with his first foray into screenwriting and direction. Henry V qualifies as a masterpiece, the kind of film that comes along once in a decade. He eschews the theatricality of Laurence Olivier's stirring, fondly remembered 1945 adaptation to establish his own rules. Branagh plays it down and dirty, seeing the bard's play through revisionist eyes, framing it as an antiwar story. Branagh gives us harsh close-ups of muddied, bloody men, and close-ups of himself as Henry, his hardened mouth and willful eyes revealing much about this land war. Not that the director-star doesn't provide lighter moments. His scenes introducing the French Princess Katherine (Emma Thompson) are toothsome. Bubbly, funny, enhanced by lovely lighting and Thompson's pale beauty, these glimpses of a princess trying to learn English quickly from her maid are delightful.
What may be the crowning glory of Branagh's adaptation comes when the dazed, shaky leader wanders through battlefields, not even sure who has won. As King Hal carries a dead boy (Empire of the Sun's Christian Bale) over the hacked-up bodies of both the English and French, you realize it is the first time Branagh has opened up the scenes: a panorama of blood and mud and death. It is as strong a statement against warmongering as could ever be made.